paul rogers on editing everything everywhere all at once

filmmaker magazine, print 1.3.23

 

and also yours, an essay on el lado quieto

pelikula journal vol. 7 12.23.22

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paul dano on the fabelmans

flaunt magazine cover 12.20.22

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trust territory, doc nyc 2022 coverage

documentary magazine 12.8.22

 

mike de leon on lvn, his films, and moma retrospective

film comment 11.21.22

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balancing act of impact, ciff 2022 team interview

documentary magazine 9.18.22

​

the right  to do wrong, an essay on top of the heap

metrograph journal 9.9.22

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co-curators shireen seno and merv espina on the kalampag tracking agency

screenslate 8.14.22

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captain jj "yank" cummings on vetting the script of top gun: maverick

gq magazine 6.24.22

 

dario argento on the "pleasure of terrible ceremonies" and his 20-film retrospective filmmaker magazine 6.21.22​

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ariel estaban cayer & pearl chan on kani releasing

screenslate 6.18.22

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mike de leon on itim and the marcoses return

cnn philippines 6.9.22

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cane fire review

hyperallergic 5.16.22

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shirley kurata on the costumes of everything everywhere all at once 

filmmaker magazine 4.19.22

 

building the world of pachinko in k-drama backlots and ‘enemy architecture’

indiewire 4.14.22

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beyond submissions: are transparency and accountability possible in film festivals? distribution advocates 4.14.22

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snow hnin ei hlaing & mila aung-thwin on midwives

cinéSPEAK 3.1.22

payal kapadia on a night of knowing nothing 

filmmaker magazine 2.22.22

​

set medic eloy lara on jackass forever 

filmmaker magazine 2.9.22

​

best sundance shorts

cinéSPEAK 2.4.22

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ngozi onwurah’s welcome II the terrordome 

screenslate 12.30.21

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doc nyc 2021 - reviews/panel coverage documentary magazine 12.10.21