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paul rogers on editing everything everywhere all at once

filmmaker magazine, print 1.3.23

 

and also yours, an essay on el lado quieto

pelikula journal vol. 7 12.23.22

paul dano on the fabelmans

flaunt magazine cover 12.20.22

trust territory, doc nyc 2022 coverage

documentary magazine 12.8.22

 

mike de leon on lvn, his films, and moma retrospective

film comment 11.21.22

balancing act of impact, ciff 2022 team interview

documentary magazine 9.18.22

the right  to do wrong, an essay on top of the heap

metrograph journal 9.9.22

co-curators shireen seno and merv espina on the kalampag tracking agency

screenslate 8.14.22

captain jj "yank" cummings on vetting the script of top gun: maverick

gq magazine 6.24.22

 

dario argento on the "pleasure of terrible ceremonies" and his 20-film retrospective filmmaker magazine 6.21.22

ariel estaban cayer & pearl chan on kani releasing

screenslate 6.18.22

mike de leon on itim and the marcoses return

cnn philippines 6.9.22

cane fire review

hyperallergic 5.16.22

shirley kurata on the costumes of everything everywhere all at once 

filmmaker magazine 4.19.22

 

building the world of pachinko in k-drama backlots and ‘enemy architecture’

indiewire 4.14.22

beyond submissions: are transparency and accountability possible in film festivals? distribution advocates 4.14.22

snow hnin ei hlaing & mila aung-thwin on midwives

cinéSPEAK 3.1.22


payal kapadia on a night of knowing nothing 

filmmaker magazine 2.22.22

set medic eloy lara on jackass forever 

filmmaker magazine 2.9.22

best sundance shorts

cinéSPEAK 2.4.22

ngozi onwurah’s welcome II the terrordome 

screenslate 12.30.21

doc nyc 2021 - reviews/panel coverage documentary magazine 12.10.21

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